Tweet of the day

Thanks, Your Majesty, for the Royal Assent. You soon won't be the only married queen in Britain. Hurrah, hurray hurroo! #EqualMarriage
— Stephen Fry (@stephenfry) July 17, 2013

Margaret Thatcher 1925-2013

"Where there is discord may we bring harmony. Where there is error, may we bring truth. Where there is doubt, may we bring faith. And where there is despair, may we bring hope." - Margaret Thatcher, on first entering 10 Downing Street as Prime Minister (paraphrasing the prayer of St Francis)

“To me, consensus seems to be the process of abandoning all beliefs, principles, values and policies. So it is something in which no one believes and to which no one objects.” - Margaret Thatcher

“Yes I do believe in consensus, there should be a consensus behind my convictions.” - Margaret Thatcher

Today her nation buries Margaret Thatcher, and I hope no one gets hurt or does anything stupid. Britain has in the past been adept at buying its departed politicians quietly, decently and without partisan rancour. Ceremonial is strictly for the Royals and national heroes like Winston, Horatio and Wellington. Not this time, unfortunately.

Margaret Thatcher is undoubtedly one of the greats - the first woman Prime Minister of Great Britain, and an ideological warrior and a game-changer. She’s been out of office for almost a quarter of a century, and retired from public view for almost a decade, but still the -ism that bears her name rules this country, with all three main political parties signed up to its basic tenets (and the insurgent party, UKIP, loudly proclaiming itself to be her true heir).

She revelled in partisanship while in office and lived for arguing her point of view. Ultimately her own cabinet, exhausted and terrified of where she was leading them, threw her out. Her opponents never got the chance to vote her out, and the treacherous Tories subsequently tore themselves apart in guilt and revenge.

Hence the ugly atmosphere and our heavy collective mood. Our Tory Prime Minister, who ironically was bequeathed these bombastic funeral plans by his New Labour predecessors, has equally ironically achieved no poll bounce off the back of a full week’s media Thatcher fest. Both right and left wing editorialists have decried the grandeur of the funeral, and it seems all those Thatcher TV shows actually achieved poor ratings. Some left wingers have shocked the world with their “Thatcher Death parties” and campaigns to get “Ding Dong the Witch is Dead” into the pop charts; equally, elements on the right wing have invited scorn by whinging Obama isn’t showing enough respect and drooling over the decidedly dicey D-list ragtag assortment of celebs, ex-cons and has-beens invited. The Tory chairman Grant Schapps wrote a letter out to all the constituency faithful to come and line the route this morning: are they frightened that no-one in London apart from the protesters will actually be brave enough to face the hyped-up police and security?

I’ve been immersed in it all, trying to make some kind of sense of what Maggie means to me. I don’t think we are quite there yet. She was a massive force, and did some things very right and some things very wrong. Her legacy is still unwinding and we are in its wake - it may take another thirty years before we can start to sum up. I think she is a transformative figure, up there with William the Conqueror, Henry VIII, and Oliver Cromwell. Massive winners and massive losers, always destined to be radically reinterpreted for every generation.

But I do think that her political analysis of the 70s wasn’t that remarkable - in fact, it was pretty close to being the consensus view. It is clear successive moderate Conservative and Labour governments could see exactly what they needed to do (and some of Thatcher’s most eye-catching policy innovations were in fact first thought of by Labour). They all failed, lost their nerve. And government failure is important, in that it doesn’t return things to where they were before - it moves them on: in this case driving extremism on both left and right. And Thatcher herself was the insurgent candidate from the far right of her party, and the era’s political genius to boot. So she won, and got to apply the ‘cure’ (a readjustment of the economy both parties knew had to be made) her way, through extreme radical ideological methods, tearing apart the country in the process and leaving us where we are today.

A London Weekend

However long you live here, London always throws up something new, surprising and fabulous. It’s diversity doesn’t stop at having the largest number of foreign communities resident - every Londoner’s specific interests are catered to in depth as well, allowing for wonderful crossovers, mashups and discoveries.

So this last weekend was a bit of a London mash-up for me. It started, as all good weekends do, on Friday evening. A friend treated me to a play at the National Theatre: This House by James Graham. This is not the sort of play I am usually interested in - contemporary, and about 70’s politics and House of Parliament procedures. My usual theatrical interests are Classics (deep!) and Stars (shallow!) - I recently took in James McAvoy’s Macbeth, covering both - so This House was completely off my radar until I saw a trailer for it at the cinema. It looked amazing! It turns out that it’s a National Theatre hit and had returned for a second run at the larger Olivier theatre.

We were lucky to get great seats in the auditorium. The staging has a block of parliamentary style benches on stage, and some lucky audience members get to sit on these - the blocks are on two of the Olivier’s revolves and swivel round for scenes set in the House for parliamentary votes. Most of the time they are flat on and the front of the stage becomes the Whips’ offices as they plot and scheme (Tories) or desperately try to keep things afloat (Labour).

The play covers events from the fall of Ted Heath to the rise of Margaret Thatcher, through the eyes of the Whips. The Tories are blasé, urbane, worldly, and have seen it all before. Born to rule. Witty, but prone to bullying their newbies and snobbish. They become increasingly nervous of the top dog as Thatcher entrenches her leadership (initially portrayed as a weird fluke they expected not to last).

The Labour side show mainly working class types and accents (and the only women MPs in the play). The men swear like sailor’s parrots and then apologise to the women, who get annoyed by the apologies. Wilson’s government had a wafer-thin margin and was expected to fall within weeks - however, it lasted 4.5 years, and the play shows the desperate lengths the Labour whips went to to keep it all together (and the lengths the Tories went to to take them down). It’s all very funny and engrossing but one is aware that Thatcher wins in the end and changes everything (the play ends with a recording of her famous victory speech in 1979).

We repaired afterwards for a debrief and cocktail at Skylon’s bar. I’ve not eaten in this restaurant in its current incarnation (I did before when it was run by a celebrity chef) - the room itself is so much more beautiful and glamorous now after the Royal Festival Hall refurb. It also benefits from the fifties revival trend. We quaffed fab cocktails, surrounded by Italians - so many of them around in London at the moment. Our discussions turned on the Parliamentary news of the moment - the spectacular and catastrophic fall from grace of Coalition minister Chris Huhne and his ex-wife Vicky Pryce, dubbed “the Clytemnestra of Clapham”. Indeed this is a greek tragedy, with both parties being sentenced to a jail term for perverting the course of justice today (over a speeding ticket in 2003!), but all their family dirty laundry has been fully aired in the press over the last few months. The Huhnes’ marital home was actually quite near to me, I’m familiar with their street in a “would love to live there’ kind of way. I also lived for many years with someone who went back and forth to Europe frequently, and would no doubt have known the stretch of road Huhne was caught speeding in (luckily, my housemate had a driver to ferry her to and from the airport so speeding was never an issue).

So far, so usual for me but Saturday would see me yanked right out of my usual tracks.

My niece is in a women’s eights team (Cantabridgian juniors) and was booked to race in the Womens’ Eights Head of the River Race (WEHORR) on Saturday. I’m vaguely aware of the Oxford/Cambridge boat race at the end of March but it appears that the whole of March is a big racing month on the Thames for rowers. My knowledge of rowing is not extensive (I called them ‘paddles’ and was put firmly right by a rowing mother - they are correctly called “blades”).

I met my brother and sister-in-law at the Battersea Affordable Art Fair where they had just made a purchase, and we taxi’d to the finish line at Putney Bridge just as the first boats arrived.

There were around 330 boats taking part. A ‘head’ race means they aren’t all actually starting at the same time - they are let go in batches in number order, so are racing against the clock. Coxes and teams use “Cox Boxes” to monitor their progress. The race goes downstream from Chiswick to Putney (the Oxford/Cambridge race goes upstream but timed to start on an incoming tide).

There was a great atmosphere amongst the crowds of supporters, and the sight of all the boats on the Thames was magnificent. we were treated to watching them sprint for the finish line in front of us and then double back past us to where they disembarked.

It took hours though for them all to come through, and the temperature noticeably dipped throughout the afternoon. After my niece’s team sailed past (they did well and were rightly proud of their achievement in their first big race, even with a broken cox box), we supporters all repaired to The Duke’s Head pub for a very late lunch.

The Duke’s Head is a quintessential rowers’ pub, and makes the most of its prime position on the start line of the Oxford/Cambridge boat race with a magnificent dining room - soaring ceiling and massive windows on three sides overlooking the river - and racing paraphernalia as decoration. The pub nails its colours firmly to the mast with its walls a Cantabridgian light blue.

Lunch/dinner was a hugely welcome wild boar burger with triple fried chips and a bowl of “allotment vegetables” - chanterey carrots, savoy cabbage and french beans. I toasted my niece’s team’s performance with a glass of sauvignon blanc, even as said team was whisked back to Cambridge thoroughly exhausted from their 4 hours on the icy river.

We're all winners!

Hilarious response to the EU winning the Nobel Peace Prize:

At least the EU didn't win the Nobel Prize for economics.
— Binyamin Appelbaum (@BCAppelbaum) October 12, 2012

Clapham's New Library Opens

In these austere times it is pleasing to report some positive news: a new modern library building has just opened on Clapham High Street. I went along today to use the fax machine (they don't have one yet) and take some snaps - please forgive my arty hipstamatics. I reported before about the building itself while under construction - the flats above have helped to fund the new public library facilities. The building itself seems to have taken ages to construct - almost as long as the much higher Shard, if my memory serves correctly. Last June they were expecting to be completed in September last year.

The flats tower above the library and the high street.

Builders are still busy completing the streetscaping at ground level - the paving does not appear at this stage to match the superlative standards of the Venn Street development.

A huge mural above the librarians' station maps out the interior space - two spirals curve out from the entrance and the desk - one upwards and the other downwards - around a central atrium rising the full height of the library space. A spiral staircase and a lift link all the levels. Books and other media line the curving spirals; reading areas, computer stations and meeting rooms lead off the spiral. The atrium houses a play space for children. It's like a mini Clapham version of Frank Lloyd Wright's Guggenheim Museum in New York

the ramp spiralling upwards

A view across the central atrium, with oculi allowing glimpses of the book stacks on the spiralling ramp

The spiral staircase

It all looks new and shiny, and the books have the feel of just having been arranged on their new shelves. Loads of users are already using the spaces - the reading and computer rooms look like they will be very popular.

Overall, the space feels modern and generous. I have some niggles with the finish, which lets the standard down - the exposed concrete ceilings look like they've been demanded by an accountant late in construction rather than originally envisaged by the architect. The librarians' space will probably need to be redesigned - it's way too small and encourages spiralling gaggles of users to besiege the poor duty librarian from all angles - while I was there fights were erupting amongst library clients (over where the queue was) and the librarians themselves appeared stressed.

Noise levels are quite high - the central atrium and hard surfaces throughout create an echoing acoustic, and the children's play area generates a large amount of noise to echo.

Design Museum Heads West

The Design Museum is in the news because of its annual Design Awards (Designs of the Year 2012 exhibition now on at the Museum) and because the museum itself is on the move across London from Shad Thames to the old Commonwealth Institute in Holland Park - its best frenemy the V&A will be a near neighbour in South Kensington (target date 2014).

While part of me is thrilled that someone is giving this mad 50s folly a new lease of life (Grade II listed, no less, and apparently regarded as second only to the incomparable Royal Festival Hall in post-war British Modernist importance), the bigger part of me is sad the Design Museum will be leaving Shad Thames, which it has graced since the 1980s. I imagine it will be replaced with more expensive flats with river views, impoverishing the cultural life and diversity of this stretch of the Thames immeasurably.

Also worrying is what they intend doing to the old Commonwealth Institute building (Sir Robert Matthew, Johnson-Marshall and Partners, 1960-2) , an architect’s flight of fancy if ever there was one, a triumph of form over function or even reason:

“Regarded by English Heritage as the second most important modern building in London, after the Royal Festival Hall, the building has a low brickwork plinth clad in blue-grey glazing. Above this swoops the most striking feature of the building, the complex hyperbolic paraboloid copper roof, made with 25 tonnes of copper donated by the Northern Rhodesia Chamber of Mines. The shape of the roof reflects the architects' desire to create a "tent in the park" . . . The interior of the building consists of a dramatic open space, covered in a tent-like concrete shell, with tiered exhibition spaces linked by walkways. “

Those links include swooping stairs down to a floating mezzanine level beneath the immense expanse of that magnificent roof. This grand flourish is extravagantly wasteful of space, which no doubt the Design Museum covets. The proposed remodeled interior designs I have seen sweep away the stairs, walkways, floating mezzanine, etc, and close up that central block of empty space. The original complex and delightful spatial interplay is completely annihilated in favour of a grim heavy concrete platform with a rather mingy oculus allowing a partial view of the roof. My criticisms are purely aesthetic here - no doubt in practical ways the redesign will make the space function far more efficiently as a gallery, as well as generating more usable floor space. It’s just sad that something so intrinsic to the building will apparently vanish in the process. John Pawson has a lot riding on this - a very modish architect, most of his projects so far have been either commercial or private commissions by the super rich; this will be his first major public project. His brand of highly aesthetic minimalism seems a refinement of 60’s Brutalism - the movement which reacted forcefully against the effete and almost rococo modernism represented by the Commonwealth Institute. We shall see whether the styles can harmoniously cohabit.

Some thoughts on the recent disturbances

Nick Clegg predicted these riots would happen under a minority Tory Government during last year’s election campaign, of course. But going back to 2006 even David Cameron appeared to suggest there was a social context to youth crime, in his “hug a hoodie” phase. But now the riots for him are criminality, “pure and simple”, and he resists calls for public enquiries even as he outlines a programme of hysterical populist authoritarianism going forward. So far so depressing.

A pinko liberal like me will point to the fact that the riots overwhelmingly happened in poorer areas and the rioters tended to be unemployed, and argue this must mean social deprivation and blighted prospects must be relevant to understanding the causes of these disturbances. However, it will be pointed out (correctly) that the vast majority of poor people do not riot and steal, whatever the provocation.

It is true criminality exists at all levels of society. Criminals selfishly take to enrich themselves at others’ expense, if they calculate they will get away with it. Most violent crime happens at lower levels, but as one rises in the social pecking order there are greater opportunities for non-violent crime, and for immoral acts which just tidily skirt the edges of the law. For instance, I feel there is an exact moral equivalence between MP’s looting public funds for plasma TVs on their expenses and Tottenham rioters looting Curry’s.

Peter Oborne brilliantly expands on this point:

“The culture of greed and impunity we are witnessing on our TV screens stretches right up into corporate boardrooms and the Cabinet. It embraces the police and large parts of our media. It is not just its damaged youth, but Britain itself that needs a moral reformation.”

For thirty years and more we have been told that “greed is good” (personal greed being the driver of neo-liberal economics) and we have witnessed decades of consumerist excess. We are what we consume. So now we have “shopping with violence” by those excluded from the system and a “grab what you can while you can” attitude in our politicians, businessmen and bankers.

Rupert Murdoch’s media empire, in plain sight, debauched the integrity of our political classes from Thatcher in the 80’s (who broke the rules and allowed News International to take control of The Times and Sunday Times) to just this year, when until the scandal broke the Cameron government gave every indication of breaking every sinew in order to give Murdoch the full ownership of BSkyB without legal examination.

While this trail of political corruption was there for everyone to see - most lefties have been yammering on about it for years - what shocked me was they way in which the Metropolitan Police were corrupted by News International too.

So now Britain has a superstructure of morally bankrupt politicians, police, media and bankers presiding over a rioting underclass. We truly are in dire straits.

But it seems to me the police have been corrupted from another direction too. Before she launched into her vast social engineering programme, Thatcher gave the police massive pay increases, and given the amount of social unrest during the 80s this was clearly an astute Machiavellian ploy. However, Cameron’s crew were more naively neo-liberal than the blessed Margaret and decided the police were a social expense they wanted to cut (by 20%). The strangely tentative police reaction to the start of the rioting (rioters in Clapham were left alone for hours, for example, despite prior knowledge of the intended attacks) suggests a possible intention on their part to put some pressure on the Government over the cuts; certainly the PR war between police and government in the last few days appears to support this interpretation too.

Which is another cause for alarm. Under Blair we saw an huge increase in the political import of the police - and indeed political policing. Now it could be argued the police are holding the government to ransom. I’m not a fan of Cameron at all but it is completely outrageous that the (unelected) police [service] should feel empowered to publicly argue with the elected representatives of State. I’m reading a book about the downfall of the Roman empire at the moment and it struck me we are not a million miles away from the Praetorian Guard deposing the Emperor because their pay rise wasn’t big enough.

Riots have a long history in Britain, and our beloved tv period dramas have occluded the extent of rioting in the vastly unequal Victorian and Edwardian eras. The 1886 Riot (Damages) Act allows for victims to claim compensation from the police if they were insufficiently protected. It is interesting that lawmakers of the time came up with this idea. They were clearly responding to a perceived need.

Back in those days, police and rioters were probably evenly matched in terms of technology. The 20th Century saw the police attain total dominance in technology, organization, tactics and training over potential rioters, culminating in the controversial kettling tactics of the last couple of decades.

However, we should remember the Black bloc anarchists who infiltrated the Anti-Cuts March back in March this year successfully trumped the police kettling tactics. The black bloc people ran amock in small groups throughout the city, popping up all over to cause havoc, then melting away only to reappear elsewhere. No black blocs were arrested, despite them being the major perpetrators of political violence that day. Instead, the police chose to arrest around 300 entirely peaceful UK Uncut protestors staging a sit-in in Fortnum & Masons (highlighting Fortnum’s non-payment of UK tax). These arrests were massive headline news at the time. Subsequently, all charges against everyone arrested there were dropped.

Clearly, those arrests formed a PR mask for police failure, and the current riots demonstrate anarchist black bloc tactics have by osmosis been absorbed by criminal elements intent on looting, with similar expectations of success. The only successful police response to this was an eventual massive increase in manpower on the streets - 16,000 on the streets of London this week, more than ever in history and three times more than usual. This is not sustainable long-term and police will be thinking of new tactics to contain rioters.

But until new, successful and cost-effective tactics are developed, and underlying social injustices are addressed, I expect to see more events of this kind. The initial riots were copied very quickly and very widely. Until then we will have to suffer populism of the “ban twitter and facebook” kind, even though it could be argued tv news coverage poured more petrol on the flames than social media ever did.

R.I.P. Lucien Freud

One of the greats passed away sadly on Wednesday evening. From his obit in the Guardian:

"Freud described the move to England as "linked to my luck. Hitler's attitude to the Jews persuaded my father to bring us to London, the place I prefer in every way to anywhere I've been.""

Ask Murdoch!

There have been loads of exciting investigations and enquiries happening here in the good ol' 'UK the last few months, and of course The Guardian has been plugging away at the News International hacking and corruption saga for years.

After Rupert and James Murdoch's extraordinary appearance before a parliamentary committee yesterday, a useful website has been set up - Ask Murdoch - in which you too can query Rupes on pressing issues and get answers in his own inimitable style. I've just tried it out:




Now someone will have to develop a cyber Wendi to leap Crouching Tiger Hidden Dragon style into the fray! That would complete the parliamentary experience. Oh yes - and a custard pie.

New in Clapham

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The new Library Building on Clapham High Street is shooting up and is due for completion in September this year. Very exciting, as we'll have a brand new library and swimming pool here in SW4. The developers get 136 new apartments to flog, to help pay for the public amenities.

You won't find any information on the website about the new civic facilities, just a rather crass commercial hard sell. However, the relentless, hysterical grip on its target demographic is rather amusing:

[Edit: video now removed as too annoying!}

No grannies need apply!

I suppose the target punters will be shocked to find such an archaic insitution as a library in the basement. They may enjoy the swimming pool, however. It will be interesting to see how public and private interact as the building comes to life.


'The New" is actually so old - such a watered-down, pale pastiche of Frank Gehry's oeurvre, an architect whose style, so amazing in the 90s, is already slipping into the past. Do we deserve better public buildings? I suppose the rather magnificent Battersea Library extension was also architecturally retrogressive when it was built in the 1920s. It was however proud to be a library.

Ai Weiwei - Circle of Animals/Zodiac Heads

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Ai Weiwei's magnificent ceramic sunflower seed installation at Tate Modern has just ended, and today his first monumental bronze outdoor installation, Circle of Animals/Zodiac Heads opens to the public in the courtyard of Somerset House, having just been to New York and Sao Paolo.

"Designed in the 18th century by two European Jesuits serving in the court of the Qing dynasty Emperor Qianlong, the twelve zodiac animal heads originally functioned as a water clock-fountain, which was sited in the magnificent European-style gardens of the Yuanming Yuan. In 1860, the Yuanming Yuan was ransacked by French and British troops, and the heads were pillaged. In re-interpreting these objects on an oversized scale, Ai Weiwei focuses attention on questions of looting and repatriation, while extending his ongoing exploration of the “fake” and the copy in relation to the original."

The installation is a real triumph - very imposing physically, and richly layered conceptually - a wonderful icon of the way cultural exchanges happen through the centuries. It can only add to this most prominent contemporary Chinese artist's global reputation.



So it is absolutely extraordinary that at this exact moment the Chinese authorities have chosen to 'disappear' the artist - he hasn't been seen or heard of since the 3rd of April when he was arrested while boarding a flight to Hong Kong.

Gwyn Miles, Director of Somerset House Trust, has issued this statement:

"Like everyone who admires and respects the work of Ai Weiwei we are dismayed and aggrieved by the news that he has been detained by Chinese authorities. We deplore the actions taken against Ai Weiwei and his friends and colleagues, and indeed any curtailment of individual’s human rights. We are very concerned about their safety and wellbeing and ask for information on their whereabouts to be released and them not to be detained without a fair trial."

"Ai Weiwei has chosen and approved the installation set up for Circle of Animals at Somerset House and the works have already been shipped to the UK. The sculptures will be installed as planned and Circle of Animals will open to the public on 12 May. We believe that more than ever, his work should be seen and appreciated by as many people as possible."

Anish Kapoor, one of our leading sculptors, has issued a call to action by artists and the world's cultural organizations:

"As a colleague – I don't know him personally – I feel that as artists we have a communal voice and it's important that we stick together, that we have a sense of solidarity with each other," he said.

"It would be nice to see the art world come together a little more. Perhaps all museums and galleries should be closed for a day across the world. I think some such campaign needs to form itself."

Kapoor said the Chinese state's behaviour was reminiscent of the Soviet era, when "the voice of artists of different kinds was seen as being dangerous".

He added: "It does bear witness to the barbarity of governments that if they're that paranoid they have to put away artists. It's a ridiculous situation."

The situation is very distressing. China should view this artist as a tremendous asset to its image and growing cultural reach in the world.

I do recommend popping along to the exhibition at Somerset House. I particularly enjoyed they way they have chosen to exhibit the scultures next to fountains, as an echo of how the originals were designed to be viewed.

An Open Letter to the Management of the John Snow Public House

photo courtesy of metacheetr

On the evening of Wednesday 13 April 2011, Jonathan Williams, 26, and James Bull, 23, were asked to leave the John Snow public house for kissing while on their first date. A member of staff allegedly described the couple’s behaviour as obscene and evicted them from the establishment.

The media have reported several accounts of this incident. The general consensus has been that the couple's behaviour was entirely appropriate for a couple enjoying their first romantic evening together.

The strength of feeling that this mistreatment of a gay couple raised in London’s LGBT community was such that in the course of less than 30 hours, a gay kiss-in was organised with several hundred participants at the John Snow on the evening of 15 April 2011. Another kiss-in followed the next week on 21 April 2011. Rather than allow the LGBT protesters into or around the pub, the John Snow closed its doors on both of these evenings.

Despite several attempts at contacting the management of the John Snow, as well as the Samuel Smith Old Brewery, which owns the pub, neither the pub nor the brewer have released any comment, statement or apology to this date.

While we agree that any establishment is entitled to refuse entry, and/or the provision of goods and services to individuals they deem unsuitable or inappropriate, if this refusal is motivated by a person’s sexual orientation (real or perceived) it contravenes the Equality Act of 2010. This legislation came into force in October 2010 to prevent any business discriminating on the grounds of sexual orientation, gender, disability, religion or ethnicity, or against pregnant or breastfeeding mothers.

Anyone found to be the victim of discrimination on those grounds could be considered liable for compensation from the venue that discriminates against them.

We, the undersigned, therefore ask that the John Snow management, and/or the Samuel Smith Old Brewery issue a statement:

1/ specifying exactly why Mr. Jonathan Williams and Mr. James Bull were asked to leave the John Snow public house on the 13 April 2011.

2/ clearly stating the venue and company’s compliance with and commitment to the Equality Act of 2010.

3/ officially apologising to Mr. Jonathan Williams and Mr. James Bull

Continued silence on this matter by both the John Snow Pub and the Samuel Smith Old Brewery can only be seen by the public as acquiescence to the fact that discrimination had taken place, something that is likely to damage the reputation of the business. Direct actions will continue against this pub until it, or the brewery has started to engage in the meaningful and respectful dialogue that we believe this serious matter warrants.

You can sign an online petition via Facebook.

Graham Greene lived here!

Graham Greene lived here!
Originally uploaded by hedgiecc

No. 14 Clapham Common North Side

The novelist received an official blue plaque from English Heritage last week.

"Graham Greene (1904-1991) lived at 14 Clapham Common North Side from 1935 until he was forced to leave the house due to war damage in 1940. His novel The End of the Affair is set in Clapham in 1945-6. The narrator lives in a bedsit 'at the wrong side of the Common' (South Side), drinks in the 'Pontefract Arms' (The Windmill) and visits 'the dark church at the corner of Park Road - a Roman Catholic church full of plaster statues' (St Mary's).
Writing to his mother, Greene describes Clapham thus: 'the whole appearance of Clapham Common is lovely, like a wide green plateau on a hilltop above Battersea with the Common stretching out in one direction and on three sides surrounded by little country-like shops and Queen Anne houses."

- from Clapham Past by Gillian Clegg

Greene lived here with his family from August 1935 to October 1940, when the house was bombed.

"The English Heritage blue plaque will be installed at 14 Clapham Common North Side, where Greene lived with his family from August 1935; at that time he described it as “a most beautiful Queen Anne house … done up absolutely like a museum piece”. It remained his home until October 1940 when it was hit in a bombing raid and became uninhabitable; the house was empty that night as Vivien and the children had been evacuated to Sussex and Graham was staying in Bloomsbury with his lover, Dorothy Glover. This devastating event later inspired the pivotal point in his novel, The End of the Affair. Despite the damage, the outer walls of the house remained intact, allowing the interior to be rebuilt after the war. The house is Grade II* listed and forms part of a terrace built by the architect John Hutt in 1714-20.

Greene’s daughter, Caroline Bourget, said of the house: ".... my father evacuated us to his parents' home in Sussex in August 1939 when I was only 5 yrs old......but I do remember the magnificent staircase. Some well-known writers and publishers visited the house such as John Betjeman and Evelyn Waugh. When I met them later, they recalled seeing me at the age of 3 or 4."

English Heritage blue plaque historian Dr Susan Skedd said: “Graham Greene is indisputably one of the great British writers of the twentieth century. He achieved the rare distinction of enjoying both critical and popular admiration throughout his career. Since the centenary of his birth in 2004 his literary reputation has been increasing and we hope this plaque will act as a focus for old and new fans of his work alike.”

Hup Holland Hup!

Well, today is the World Cup Final! Whoever wins, it's been a superb win for South Africa and indeed the continent. The overwhelming majority of news out of the continent up to now has been sad - poverty, famine, bad governance - but there always has been another side that the developed world has been slow to appreciate: the magnificent fortitude, ingenuity, persistence and warmth of its people. And these days Africa is taking off economically and politically. South Africa indeed with its excellent regulation regime escaped the financial meltdown that has struck Europe and North America. Thabo Mbeki hoped for an African Renaissance and it looks as though it's starting to happen. This hugely successful World Cup tournament finishing in South Africa today is an indication that Africa is indeed on its way. For the first time is what seems like forever, the entire world is focused on a happy, joyful event which has been staged and managed superbly well. Having grown up there, I know what a massive jolt of confidence and pride this is giving all South Africans and I am very happy about that.

I'm going to be supporting Holland in the finals today - I think it would be a pleasing result regarding Holland's lengthy relationship with South Africa, and Holland has never won before (neither has Spain, though).



Last week I watched the semi finals in a pub in Soho with my flickr friend Charles Roffey. De Hems just off London's Chinatown is the official Dutch pub in London - and has been for over a hundred years! One always learns something new about London. The pub was mobbed by huge crowds of thrilled Dutch supporters. Charles was interviewed by Winkball.

Wishing all those Dutch supporters the thrill of a lifetime this afternoon!

And it's all over

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Yep the England team have just arrived home, sneaking into Heathrow terminal 5, earlier than expected. Some Mars bars are suddenly beyond their sell-by date.


Yes I'm a sucker for hype and advertising! I bought my Mars bar before Sunday though - couldn't bear the thought of buying one after the defeat at Germany's hands.

But on the theme of chocolate - OMG! A Bailey's truffel bar! Oh my groaning waistband . . . what fresh hell is this?

World Cup Fever Hits Clapham!

The World Cup starts today - here's hoping for a massively successful tournament for the host nation, South Africa, and let's hope the England team can overcome their somewhat fractious beginning and do us proud.

Am I dreaming that flag mania seems to increase with every World Cup? The colourful bunting definitely adds to the jollity of the Nation, even if one isn't a fan of the football. Some Clapham pubs are joining in the festivities - most impressively The Alexandria.



Which admittedly has the most impressive frontage to begin with.



Well done Alexandria!



Revolution on Clapham High Street has put a wall of flags behind their double story glass facade, which results in some interesting photographic effects.





Let's hope that mysterious throbbing neon zero in the centre of the USA flag is an omen for the match against England on Saturday.

And over in Clapham Old Town, even posh florists Birksen are getting in on the act.



The good old Prince of Wales goes for traditional bunting as well as a St George's flag.



Well, Clapham is all behind England! Go team!

My Eurovision Winnings

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Well this year’s Eurovision wasn’t all bad - in fact, Good Luck alert! I won some wireless Sennheiser headphones in Acediscovery’s Eurovision competition. To enter you had to guess the winning score (not the winner). Just as well I am better at predicting scores than guessing winners. My favourites Sweden failed to qualify.

They arrived this morning (the headphones, that is, not Sweden) and I plugged them in immediately. Totally enjoying the freedom of moving around the flat untethered by cables.

Eurovision - The Finals, Oslo 2010

Last night’s Eurovision Final in Oslo was a great success and huge fun. I was thrilled that Germany won - a really encouraging result, showing the big four are still capable of winning if they have a good song (and also encouraging because it was a good song - we’re not being overwhelmed by shlock).

Here is my digest of best bits and tweets.

diamondgeezer Eurovision only takes up 0.09% of a year. It feels so much longer.

edwardclarkeWoo hoo! We're live in Oslo! #esc #eurovision

charltonbrooker Is it me or does the slight echo on Norton's voice make it sound like he's narrating from beyond the grave? #eurovision

efan78 Did Graham just say "Euro-Camp", is there any other type? #eurovision

guy_interruptd OH MY FUCKING GOD! MY ENTIRE TWITTER STREAM HAS BEEN TAKEN OVER BY FUCKING EUROVISION!

1         Azerbaijan
        Safura
        Drip Drop




wolfstar_de Azerbaijan's entry is a cheapo Beyonce/Alicia Keys/Leona power-ballad clone in 3/4, except without the charisma. It's dull as ditchwater.

edwardclarke ForeVAAAAH #Azerbaijan #esc #eurovision

thoroughlygood@edwardclarke Stop that. Stop that now.

2         Spain
        Daniel Diges
        Algo Pequeñito (Something Tiny)




Popjustice Something tiny in the number two slot reminds me of (NO THANKS - ED)

LeeBinding It's the Nutcracker... on crack. #eurovision

roryjmaxwell Leo Sayer, a Soprano and a toy soldier on acid. Spain at #eurovision

3         Norway
        Didrik Solli-Tangen
        My Heart Is Yours

LeeBinding He's flatter than Kate Moss's tits. #norway #eurovision

4         Moldova
        Sunstroke Project & Olia Tira
        Run Away




indiaknight Hoo, saxophonist sexytime.

edwardclarke This saxophonist is obscene on all sorts of levels. Just wrong

5         Cyprus
        Jon Lilygreen & The Islanders
        Life Looks Better In Spring

NickArchuleta Cyprus is way too English sounding :( #ESC

6         Bosnia & Herzegovina
        Vukašin Brajić
        Thunder And Lightning

travelling_wolf Bosnia and Herzegovina, I'd snog you drunkenly on the stairs at a party and regret it in the morning. #eurovision

7         Belgium
        Tom Dice
        Me And My Guitar

indiaknight Allez les Belges! #eurovision

SamStreet69 Belgium’s answer to James Blunt ... As if one Blunt wasn't enough! #eurovision

efan78 Will someone please turn the wind machine on and get this whiny bloke off the stage please? #eurovision

8         Serbia
        Milan Stanković
        Ovo Je Balkan




owenblacker RT @spaceboy: OMG years of authoriarian nationalism has produced the uber gay in Serbia! The gay to end all gays, indeed the end of gays.

LeeBinding Dance! Dance like your passport depends upon it! #eurovision

9         Belarus
        3+2
        Butterflies




charltonbrooker "We're like butterflies, flying to the sun". What, putting in a lot of effort to no avail?

10         Ireland
        Niamh Kavanagh
        It's For You

thoroughlygood NDN: "She's got Bridget Jones knickers on under that, I'm telling you." #eurovision #ireland. We're asking the neighbour to leave now.

11         Greece
        Giorgos Alkaios & Friends
        OPA



Soeno RT @ScoobyDoofus: Does the term "Greek entry" make anyone else giggle? #eurovision

LeeBinding Typical Greek man, bragging. 'Whopper!' #eurovision

12         United Kingdom
        Josh Dubovie
        That Sounds Good To Me




gabexmosh I love how the UK's stage choreography has the dude ignoring the girls, while the male dancers ogle him. #wyldhomo #ESC

ScoobyDoofus Cheesier than a cheese sandwich with cheese flavoured bread. #UK #eurovision

Killdozer For you UK, ze Eurovision iz over #eurovision #esc

delrico to quote my mate Chris: "It costs us millions and we have no hope of winning. It's like a musical Afghanistan." #eurovision

projblogsphere "DO NOT CALL FOR THE UK" ... No, seriously... do not vote for #UK. #Bad #ESC

acabelt RT @McRoell: You have been Rick-Rolled #ESC #UK

nminers Aaaargh my ears!!! #uk #eurovision

charltonbrooker This from the nation that brought you The Kinks

thoroughlygood Next year, the #uk should just have someone stand on stage in silence for 3 minutes. #eurovision

dutchtea slecht UK 0 POINTS #ESC

13         Georgia
        Sofia Nizharadze
        Shine

edwardclarke Norton: "No one got hurt - that's the main thing " #Georgia #esc #eurovision

14         Turkey
        maNga
        We Could Be The Same

efan78 Ah, Bondage Cyberwomen and Linkin' Park's bastard love children, what more could you want? #eurovision

15         Albania
        Juliana Pasha
        It's All About You

arlloyd Albania 9/10 #eurovision http://bit.ly/Vxkgm (although it could also be BBC Newsreader does Goldfrapp for Children in Need)

16         Iceland
        Hera Björk
        Je Ne Sais Quoi




zatytom Oh Iceland, frumpy valkyrie awesomeness. #esc

LandersIE Is she wearing the after show party marquee? #Eurovision

17         Ukraine
        Alyosha
        Sweet People

benlocker Ukraine does Noir Desir crossed with Joanna Lumley. Well odd. #eurovision

Queen_UK Oh dear. Ukraine clearly has deepset social problems.

nok32uk #eurovision Sweet people? Sweet Jesus!! #esc #ukraine

18         France
        Jessy Matador
        Allez Olla Olé



travelling_wolf French have, quite sensibly, moved away from the vote losing Edith Piaf model this time. #eurovision

owenblacker Damn them! RT @Ewan: They've had to "family riendly" the French dance and outfits #eurovision

indiaknight Jessy Matador is a brilliant name.

19         Romania
        Paula Seling & Ovi
        Playing With Fire


thoroughlygood: Significant Other on #romania's female singer: 'Don't flirt with him. He's disgusting.' #eurovision #romania #esc


20         Russia
        Peter Nalitch & Friends
        Lost And Forgotten

benlocker Russia changes gears, not keys. #eurovision

21         Armenia
        Eva Rivas
        Apricot Stone



owenblacker Armenia: Bloody wacky song, and a disappointing lack of hot Armenian boys on stage, but Im' quite liking this #eurovision

squawkbox That top is a bit tight, isn't it? #armenia #eurovision

roryjmaxwell "Apricot stone hidden in my hand"? She assumes that her tits have rendered you senseless - the lyrics are just random shit. #eurovision

charlotteyoung: ... I can quite confidently say that this is the best song about Apricot stones I've ever heard. Seriously. #eurovision

zatytom I'm properly loving this apricot madness. #esc


22         Germany
        Lena
        Satellite

benlocker German girl dances like she's desperate for the loo. Wish they'd fielded Max Raabe. #eurovision

travelling_wolf: What accent is she singing with? Is she a German cockney? #eurovision

MayorWatch Am impressed, German act well into her song and no-one on Twitter seems to have mentioned the war. Must be a record.

23         Portugal
        Filipa Azevedo
        Há Dias Assim



GuyAitchison The Portugese entry seems to be singing in Portugese. What's that about? #eurovision

pembdave Portugal... Take a hint... #eurovision

24         Israel
        Harel Skaat
        Milim

ajscroxton Theoretically, and given Ireland sent the 1993 winner, could Israel send Dana International again? This needs to happen. #eurovision

25         Denmark
        Chanée & N'evergreen
        In A Moment Like This

jenblower aaaw, The Police + ABBA + Key change = Denmark! #eurovision

26         Spain (again)

thoroughlygood OH WOW. #spain gets to perform again because of that stage invasion. Good show. Nice. Great for us anoraks. #eurovision.

edwardclarke What? Why punish all of us when only one person ran on stage? #esc

guy_interruptd ROFL! I do love you, Mike! RT @LondonVoiceover: Sing twice if you like. But the phrase "snowball's chance in hell" comes to mind

leebinding I'm marking Spain down because the stage invaded actually added to it. #eurovision

Interval Act
        MadCon
        Glow



jackwallington Eurovision Flashmob!! YES!!

Leanne_Cee #Eurovision Dancing scenes in private houses all over Europe. Amazing how they bring it together

bbceurovision Best interval act since Riverdance, in my humble opinion!

RedMummy Am loving live webcams on #eurovision. Not sure whether to call RSPCA or NSPCC first.

jackwallington Everyone else amazing. UK just lifts up some drunk people. We are SHIT.

Voting & Winner



Cardiff_Blogger We're in the top half! Finish now! #Eurovision

jonemo Congrats to the UK who did much better than expected (and well better than their 10year average) in the #esc!

wolfstar_de Germany winning Eurovision? That's about as likely as a Conservative-LibDem coalition. Oh fuck.

Eurobin Lena wins for Germany with a Lily Allen / Kate Nash type of song that the UK should have been doing - UK missed the boat #eurovision #esc

pauljchambers We finished last??? It's all the coalition's fault #eurovision

Queen_UK Be thankful society frowns on capital punishment, Mr Waterman. Be very thankful.

ajscroxton Listening to Katrina and the Waves. Happy days of 1997. No Eurovision wins under the Tories.

leebinding There. I'm done. Thank you kindly for listening, darlings. I'm off to crawl further into a bottle of gin for the rest of the night.