Personally, I blame Diocletian’s division of the Roman Empire into “East” and “West” in AD285. To us Europeans, the East will always begin in the eastern end of the Mediterranean.

- But I was there last night for the London premiere of Damon Albarn’s, Jamie Hewlett’s and Chen Shi-Zheng’s opera Monkey: Journey to the West. It’s fabulous – the Floral Hall is a fantastic ‘see and be seen’ sort of space, and the terrace overlooking Covent Garden piazza and central London’s roofscape is just lovely for a snack or drink pre-performance, especially in the evening sun; the terrace catches soothing evening breezes. The Opera house was decorated monkey-style for the event, and was serving monkey cocktails. The capacity crowd was really buzzing with anticipation.
The opera itself is visually spectacular and very beautiful; brilliantly conceived by Jamie Hewlett. Chen Shi-Zheng directs the cast of thousands with amazing control – the focus on the story is sharp despite a cast of thousands doing absolutely stunning things – awesome acrobatics, aerial ballet, exciting kung-fu fights etc etc. It’s actually so complicated it’s remarkable the whole thing went off without a single apparent mistake.
Damon Albarn’s music is gorgeous; individually the numbers are very beautiful. However, as opera one can’t compare it to Verdi or Wagner – it’s fairly episodic, and there isn’t an arc of musical development over the full piece. However, I’m still looking forward to the CD being released.
I have to mention Fey Yang as the Monkey King – he was absolutely magnificent; endearingly cheeky, yet acrobatic and superb at the fighting (in character). An incredible performance, giving out 100% energy from beginning to end.
The three co-creators came on stage at the end of a well-deserved standing ovation.
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